|Great Lakes Passage by Joel F Ellis, 27x35|
During a featured artist show of my works a few years ago, a woman brought her older blind friend to “see” my paintings. I was a little startled, but more honored to give a personal tour of the work with the woman. I described various pieces as we came to them when she stopped me and said that her friend liked the texture in my work. She wanted me to help her see through feeling the textures with the descriptions. We came to a large painting, Great Lakes Passage, with palette knife ridges and defined brush strokes of dune grasses, she moved her fingers over texture that can only be experienced in personal viewing. No flat copy or digital image shows the true sense of the work. She stayed with the painting a long time, moving her fingers along the sand passage to the great lake, when she turned to me and said, “It is a beautiful original painting, reminds me of camping in the dunes.”
Original art, what is it? Though much of my work ranges from heavy texture to smooth color on canvas, the whole experience has been lingering with me as technology changes so much for us. The art community is a buzz with the shakeup of digital possibilities. With so much reprinted work available they ask, what will the art gallery look like in the next few years and how will the art community ignore or embrace the changes? These are some of the questions swirling out there in our Saturday morning gathering of artists.
Original art, as the name explains, is created by the artists and has their finger prints all over the piece, so to speak, and sometimes actually embedded in the material. The patron who receives the original has the only work by that artist, there can only be one original. This is the promise or compact between artist and patron. Replicas are another art form depicting the original using today’s technology with impressive exactness of color and image. Not texture. Even Giclée , which I offer of some of my paintings, can capture finite details with options such as size changes using almost exact pigment replicas of the original, but never the texture unless added in to the final replica product by the artist, noted and signed with limited edition documentation for collectors. As I said, Another art form.
The digital world is astounding us with its infinite possibilities, many challenges and new avenues that can lead to unlimited potential for the adventurists. Digital art itself presents a whole new consideration of the concept of original. New to the field of fine art – digital art has the potential to explore so much beyond liquid colors on canvas. Digital art today is well into the discussions just as photography as a fine art has been discussed since the medium took steps beyond true image, leaving a collector to wonder which is the original, and does it matter any more?
I think it does. Online art galleries are out there waiting to wow the customer with their wares and some very fine looking art. Comparing the art markets to the vast food industry in America, the online art would be like a huge chain store, while the artists down the street would be in the local farmers market. Buying original art allows the patron the opportunity to get to know the artists, to put a hand on the same materials, to feel the passion that the artists felt in the production of the work.
All this is not to say that the miracle of the internet does not play an important role in exposure to original art. I do have an on line presence, web site (www.joelellisart.com ) and yes this blog. The discussions of original art, though confusing in the new digital age, are invigorating, almost like a sensory finger climb on great lake dune.