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Great Lakes Passage by Joel F Ellis, 27x35 |
During a featured artist show of my works a few years
ago, a woman brought her older blind friend to “see” my paintings. I was a
little startled, but more honored to give a personal tour of the work with the
woman. I described various pieces as we
came to them when she stopped me and said that her friend liked the texture in
my work. She wanted me to help her see through feeling the textures with the
descriptions. We came to a large painting, Great
Lakes Passage, with palette knife ridges and defined brush strokes of dune
grasses, she moved her fingers over texture that can only be experienced in
personal viewing. No flat copy or digital image shows the true sense of the
work. She stayed with the painting a long time, moving her fingers along the sand
passage to the great lake, when she turned to me and said, “It is a beautiful original
painting, reminds me of camping in the dunes.”
Original art, what is it? Though much of my work ranges
from heavy texture to smooth color on canvas, the whole experience has been
lingering with me as technology changes so much for us. The art community is a
buzz with the shakeup of digital possibilities. With so much reprinted work
available they ask, what will the art gallery look like in the next few years
and how will the art community ignore or embrace the changes? These are some of
the questions swirling out there in our Saturday morning gathering of artists.
Original art, as the name explains, is created by the
artists and has their finger prints all over the piece, so to speak, and sometimes
actually embedded in the material. The patron who receives the original has the
only work by that artist, there can only be one original. This is the promise
or compact between artist and patron. Replicas are another art form depicting the
original using today’s technology with impressive exactness of color and image.
Not texture. Even Giclée , which I offer of some of my paintings, can capture
finite details with options such as size changes using almost exact pigment
replicas of the original, but never the texture unless added in to the final
replica product by the artist, noted and signed with limited edition
documentation for collectors. As I said, Another art form.
The digital world is astounding us with its infinite
possibilities, many challenges and new avenues that can lead to unlimited potential
for the adventurists. Digital art itself presents a whole new consideration of
the concept of original. New to the field of fine art – digital art has the
potential to explore so much beyond liquid colors on canvas. Digital art today
is well into the discussions just as photography as a fine art has been
discussed since the medium took steps beyond true image, leaving a collector to
wonder which is the original, and does it matter any more?
I think it does. Online art galleries are out there
waiting to wow the customer with their wares and some very fine looking
art. Comparing the art markets to the
vast food industry in America, the online art would be like a huge chain store,
while the artists down the street would be in the local farmers market. Buying
original art allows the patron the opportunity to get to know the artists, to
put a hand on the same materials, to feel the passion that the artists felt in
the production of the work.
All this is not to say that the miracle of the internet
does not play an important role in exposure to original art. I do have an on
line presence, web site (www.joelellisart.com ) and yes this blog. The discussions of original art,
though confusing in the new digital age, are invigorating, almost like a
sensory finger climb on great lake dune.
Joel