A Lesson in Mastery: 10,000 hours practice

       Spring is here and the outdoor art shows begin in the northern states. We have a very good show coming up May 18-19, the East Lansing Art Show. I always remember asking an artist at the show how long he had been painting. The day was hot and near the end of the two day event so his remark was rather terse and had a bite to it. Not looking at me, he said, “acres and acres of canvas.” I thought I got the message, but year’s later after reading, Outliers, by Malcolm Gladwell, the art fair comment made more sense, acres and acres, that’s a lot painting.

Summer Sunset 12x16 acrylic, mixed media 

      Gladwell gives examples of people who have mastered their chosen endeavor and are recognized for their accomplishments. The one common element they all have going to reach the top in their field is 10,000 hours of practice, think of it 10,000 hours. That is a lot of time at the piano or at an easel. Even Mozart was very good at a young age but the more he composed the better he became until he reached his 10,000 hours later in his life.

Summer Fusion 20x24 acrylic on canvas

      The Beatles, too, had to perform eight hours straight on stage for weeks at a time perfecting that special Beatles sound. We see the practice/ achievement connection as a baby starts to walk. It takes a lot of tumbles to get the skills worked out.  We marvel at the major events in our lives as we too put in those 10,000 hours to reach the goals we set for ourselves.

Coffee at the Beach 11x14 oil on linen board

      When we go to the outdoor art shows this summer, remember the artists are hot, tired and wanting to get back to their studio to put more time on the art, valued time toward 10,000 hours to mastery. Enjoy the outdoor art scene and remember to support the arts as we enjoy this beautiful summer.

Joel

  www.joelellisart.com  

Children and Art

       A few weeks ago we got a call from my daughter saying my five-year-old grandson wanted to paint with me. After a gulp and a vision of a paint smeared chubby hand settled, I realized he was many miles away and he must have something else going on in his very active mind. “We can paint at the same time,” he said. What a pleasant thought, the two of us painting at the same time.

Grandson's first Abstract

       Then a few days ago he made the trip to my studio. After a quick check of the studio he asked, “Can we paint again?”  “Yes,” I said, and did we have fun! His eager hands were receptive to tips and suggestions. Before his first masterpiece piece was completed, he was on to his first advanced technique: the eye dropper for that single water drop that traveled down his painting. He squealed with the thrill of excitement.

       Next, the drinking straw. His little boy puff of air sent paint in exciting shapes and patterns. Each puff of air brought a cheer and a growing sense of pride in his creation.  As his paintings were drying in color patterns on counters, he looked up to me and said, “This is the best day of my life.” That was also one of the best days of my life, dear grandson. 

Hoping you enjoy all the art around you,

Joel  www.joelellisart.com

   

What is Abstract Art?

        It all started with phone calls. Would I like to exhibit several paintings at one of my favorite art centers? That was the first call, the second call from another art venue: would I like to give a talk about abstract art. The answer yes to both and, boy, was it a good learning experience.

Through a Kaleidoscope

       I have had work shown at Shiawassee Art Center (SAC) before and the experience was favorable so I knew this show would be fun. A short time later I got another call from SAC. Would I like the bigger gallery? Yes again. So for weeks we put together a larger selection of paintings, framing and preparing a catalog. We were so busy actual painting was set aside for the business of art.

     The talk and demonstration was always on my mind during the show preparation - what is abstract and do I even do abstract? While preparing for the thirty piece show I kept questioning - why do we create? What is real art and all the subsequent unanswerable questions dealing with the philosophy of art.

Lake ice bubbles frozen on Spring morning

       The SAC show’s opening reception included a short talk that I tried not the think about until the moment arrived. The mike felt natural in my hand as I shared the stories about the exhibited paintings. Because most of the paintings in SAC might be considered abstract, this few-minutes talk was a good warm up for the upcoming much longer program.   

       The talk at Jackson Civic Art Association was carefully planned. The folks there welcomed us with enthusiasm and thoughtful questions. I hoped the planning would not make the presentation feel overly worked. Helene and I have a bunch of years teaching experiences and one thing we have learned is to have plenty of material on hand to cover any possible scenario. 

 

Sunlight thru door peep hole on opposite wall

       We showed photos of interesting images in the real world which can inspire so-called abstract work, see examples here. In art discussions “abstract” is often considered a contrast to “real” visuals. Even in the SAC show I would hear comments such as, “Joel has ventured away from paintings of real scenes.”

       In both talks, the same questions came up, what is the inspiration for the various paintings and how did I plan the work. This is where the paint hits the canvas. Telling stories of the painting process could be another blog entry for another time. Let me know what you think about these or any other issues on the life of the artist in the comments.

       Please check the archive blogs as well. I have come to have a deep respect for art educators especially after talking to art teacher friends. See the Fort Wayne Surprise blog. Did you know that according to Arts and Economic Prosperity Report IV from Americans for the Arts, the arts in our country generate 166.2 billion dollars into the economy every year! 

Thanks for checking the blog. I hope you also check my website at www.joelellisart.com

Joel

Shiawassee Arts Center Show is Ready

Island Birth  18x24  oil on linen

       After a sleepless night and the next day packing the transport boxes in two vehicles to deliver paintings, the Shiawassee Art Center show is on its way. The smiling volunteers waiting to hang the show greeted us with warm welcomes. As they worked on their project two reporters from the local newspapers were interviewing for their stories from the participating artists – Karen Kangas-Preston, photography, Douglas Thayer with his strong forged metal work, and me with my curious abstracts and dunes.

Spirit of Three Fires 24x30 acrylic on canvas

       The first reporter worked on the Michigan connection that is behind many of my pieces. He asked if living in the Great Lakes area had an influence on my art. I flashed years of hiking the ever changing dunes, waking to subtle light bouncing off the magnificent Lake Michigan, slipping on a frozen coast just to get that special picture, but I just nodded yes to the reporter. We walked over to a painting titled Spirit of Three Fires, referring to the Anishinabe legend of the Algonquin First Peoples that populate the Great Lakes. The reporter and I both knew the location of the reference photo.

       The other reporter was also interested in motivation and how that motivation influences the paintings. We looked at the painting that was selected for the Michigan Governor’s Residence Artists Program, (see Surprise in Fort Wayne blog) the large Touch of Lavender. This painting has a lot of texture and as we moved our fingers over the thick paint I told the story of a previous art show where a blind visitor moved her fingers over the surface to “see” the painting. Every art piece has its own story, a collaboration between the materials, the creator and the viewer’s perception of the outcome. We all bring to an art show our experiences and expectations.

 

Wheels of Fortune 20x24 acrylic on linen

       We walked around the gallery, she asking for the motivation that jump started the creative experience and me telling the story that helped to bring the visual to life. Both reporters were asking the same basic question, what was my motivation. This is the question most viewers ask when they look at any art. What are the influences behind the finished art work? 

       Some art is an expression used to support a belief or a statement - political, religious, romantic - and some tell a story that is influenced by the times the artist works in. We each create for our own reasons. Even though I have blogged about this before the question always comes up in interviews and discussions, what is behind the paintings. Each painting has its own story as well as its own history but that is another blog post for another time.

       Thank you for your interest in these blog posts. For more paintings you may want to check the website, www.joelellisart.com or better yet, if you are in the area please check out the Shiawassee Arts Center Spring presentation in Owosso, Michigan. The show runs through April 14, 2013. Please feel free to share this blog with friends who may enjoy reading about the artist’s experience. I am still awed by the story in the  previous blog on the Peru, Indiana High School art treasures.

Earth Cycle  18x24  acrylic on linen

Joel

Big Surprise in Fort Wayne Indiana!

Out of the Box  20x24 acrylic on linen

       We have been preparing a show of 30 paintings for ShiawasseeArt Center (SAC) the last few weeks. All the paintings are framed and in shipping boxes waiting for the drop off day. The prep work for any major show takes many hours of caring for details and at times frustrating delays but all is completed as we are looking at our sore finger tips from the hanging wires. Ah, a sigh of relief.  

       Helene and I needed a little R and R so we took a trip to Fort Wayne, Indiana to the art center area. The first visit was to Art Link, an old favorite art venue. In one small gallery space we saw young children’s art that was so pure and sweet. We could just imagine the small hands plying with their creations. Art Link shares space in a building of Arts United. Lots of education going on here that includes visual and performing arts.

       Across the street at the newly redesigned Fort Wayne Museum of Art (FWMoA) we were astounded again by young artists from high schools in 54 counties of Indiana and Ohio. The museum offers one of the rare scholastic arts programs in the country highlighting the value of art education. The works of these young people was very inspiring and gave us hope that the new generations will be just fine and the arts will thrive into the future.

      We walked through the American Tapestry Biennial 9 show in another gallery of the museum with intricate beautiful works. We said to each other, “how can this get any better?”

The next large gallery room we glided into under the haze of Stendhal syndrome - too much fine art. We almost zipped through this gallery of large colorful paintings without a closer look. Stendhal on hold our quick glance around the large gallery was stunning. I had to sit and regain some form of composure. While sitting in a stage of utter surprise I let the magnificent paintings come to me, and they came - with their stories and their own histories of survival.

       Closer inspection of images spanning mid-century master works surprised me. Hidden Treasures the sign said: The John Whittenberger Collection of G. David Thompson at Peru Indiana High School. What? A high school collection in Peru, Indiana? What was this story all about? We asked at the desk and got a fragment of the story. Thanks to the internet we were able to piece most of the story together.

       G. David Thompson, a Peru High School alumni back in 1913, called a troubled student, found art and art appreciation through a beloved teacher, John Whittenberger. Thompson left Indiana for Pittsburg where he became a financial investor and an executive in Pittsburgh steel industry. But it was art and art collection that gave him great pleasure. In 1938 he donated 8 pieces of his collection to Peru High School in the name of his mentor, Whittenberger.

       Throughout the years until his death Thompson donated a rich collection of works by Picasso, Dali, Miro, Roualt, Predergast, and dozens of other fine art paintings along with ancient Oriental pottery, 200 items in all. The trouble was over those years that these treasured works became too valuable to hang on the walls of the old high school. When the new school was built in 1970 the works were tucked carefully away in a closet designated as the janitor’s supply room. Art teachers over those years knew about the works and even used a few now and then for their art education.

       It is the students of those lessons that have taken the initiative to present the valued collection to the public and the students of Peru as intended by the gracious donor G. David Thompson. A new gallery is being built in the high school along with high tech security. What a story! What a testament to the value of a good art education in the schools.

       I hope you get a chance to explore art in your area and if you get to the Midwest check out the venues at Fort Wayne Museum of Art. Unfortunately the premier showing of Hidden Treasures will be closing February 24. The student scholastic show continues until mid-April.

       And if you are in mid-Michigan during March and early April please come to the Shiawassee Art Center (206 Curwood Castle Drive, Owosso, MI 48867) to see Joel Ellis Art in the main gallery. Other artists in the building include blacksmith metal artist, Doug Thayer and photography by Karen Kangas-Preston. Opening reception is March 1 from 6 – 8 pm. 

       Hope to see you there.

Earth Cycle 18x24  acrylic on linen

Touch of Lavender  36x48  oil on canvas , Governor's  Residence selection

Wild Summer 30x40 acrylic on canvas

Three of the paintings in the upcoming show at Shiawassee Arts Center February 26-April 14

Opening Reception Friday, March 1 6-8 pm

Look about you, folks and enjoy!

Joel

Art As Adventure

     We are preparing for a featured artist show at ShiawasseeArt Center in Owosso, Michigan. The Center has grown so that an additional room is available for more paintings. We are carefully selecting recent works to put into the catalog for the show. In the process of going through paintings, we find ourselves discussing the back story on some pieces, the inspiration, the problem solving on route to completion. The more serious and challenging aspect of going through the inventory is seeing the subtle and not so subtle changes that take place over the course of merrily painting and looking for that next exciting jump hopefully in into future progress. All the last few words are trying to gently say I found some, dare I say, junk.

Summer Fusion 20x24

     Well, what to do with the weak stuff? Everyone in the arts has the same dilemma being self-critical but not beating ourselves up too much. Over the last few years my style has made some changes from object centered to more colors and forms moving and flowing in space creating interesting shapes and patterns. This phase of my journey is uncharted and sometimes down- right nerve racking but I have my guide book, Art and Fear (David Bayles & Ted Orland, The Image Continuum Press, 2004).

Eleven Wonders 16x20 acrylic on linen

     Today’s  comfort reading came just in time ”…the far greater danger is not that the artists will fail to learn anything from the past, but will fail to teach anything new to the future.”

     These words of wisdom are very helpful when looking over the artistic production for this show and thinking of the adventurous steps taken in the last years. Here’s to the new steps taken in the New Year and wishing you artistic adventures without fear.

Joel

www.joelellisart.com

Inspired by Life

Sand Waves, recent winner Okemos

     Inspiration, just where does it come from? It most likely varies from person to person but for me that creative nudge comes from a variety of stimuli.

     We have traveled over much of North America to bring home photos that fill three shoe boxes, along with their accompanying funny stories. Niagara Falls, over many visits, has created at least two paintings. The sunsets, lo the many sunsets, has garnered their own section in yea old shoebox.

Red Bluff 30x40 

     Paintings like Red Bluff and Sand Waves, just to mention a few, were inspired by the mysteries of defusing evening light. Summer dune walks, and a few winter walks too have helped to put paint to canvas. The summer dune walks are the easiest to walk and paint. Sand in sandals is a lot more pleasant than snow penetrating old boots.

      For me, as a painter, I sometimes need a push to get motivated as the fore mentioned sunsets, but sometimes it is a technique in the process of painting that gets the paint flying.

Gravity 16x20 oil on canvas

     A few years ago a big dribble of paint slid down the canvas creating a free streak sending a big WOW echoing out of the studio. So I did what all artists do when having fun. I went with the slow rolling run of paint sliding down the perfect white canvas. To paraphrase Picasso – you can’t create until you destroy the white surface.

     So for me the birth of a new technique was born. Sometimes the creative stimuli is the expectation of a new method of applying paint such as the big dribble. And so the fun begins bringing with it a new path to explore and a new series of images.

      We all have heard about renowned art communities- the Impressionists, the Hudson River School, the Group of Seven - and their valuable contribution to the art world through the mixing and blending of their dialog between the members. Being in an artistry environment can also stimulate the work of artists.

     Museums and galleries are favorite haunts of the art creator to keep the creative energy flowing.    

So what inspires you to do your art? Could it be your shoebox of photo memories, that special sunset or the new technique that keeps you going on to the next challenge? Maybe it is visiting your favorite museums and galleries and adding new ones to keep the ideas fresh. 

     As the  sculptor, Louise Nevelson, reminded us, “Art is everywhere, except it has to pass through a creative mind.” Whatever inspires you, I hope you keep creating. 

Joel 
www.joelellisart.com