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Purple Dune |
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Florence at Dawn |
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Rue du Nord |
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Peaceful Morning |
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Purple Dune |
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Florence at Dawn |
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Rue du Nord |
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Peaceful Morning |
I must have flowers
always and always –Monet Ten Tulips
Favorite of
Helene's Mom
It is the end of summer with all its tricks, heat, humidity,
mosquitoes and the end of waiting for the stuff of life to get back to, well
you know do I dare say, normal. We all
hope to get that summer trip in before we are tied into our autumn routine. And,
of course, we always hesitate regarding the pandemic.
O yes flowers, I hope you have noticed the flowers wild and planted by well-intentioned humans. What a year for flowers. As I type this last sentence, I looked around the house and see several new flower paintings mixed with old favorites. Careful traveling has helped put most of us in touch with things of beauty and meaning and given us time to reflect on the elements of our life that are so important to us.
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Purple Pair, once in a botany exhibit at Rackham Hall, University of Michigan |
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Elizabeth's Iris For my Mom in her last years |
Summer Joy, 36x36 (recently sold, displayed the owner's charming bathroom) |
Golden Flowers, 30x40 For our favorite granddaughter. (Our only granddaughter) |
Could it be over? You know, the Covid thing that has changed our lives so much. It seems so strange how the world’s people have been put to the test of a century and humanity is coming out of its greatest challenge with a new compassion for all the subtle joys.
I have been hoping to compose that paragraph for months and
it looks like we will truly be back to our former routines with a greater
appreciation for the thing we took for normal.
The fine folks at Shiawassee Art Center (SAC) have strived
to keep a positive arts environment alive through these times with variations
on their shows and they, too, are back. SAC requested keeping three paintings
from the recent featured artists show to display currently with my newest
painting going in mid-June for the Membership Show.
Let me tell you a little about the latest painting. I had
taken an especially dynamic photo a few years ago that continues to stand out
when I am getting ready to paint. Of course the image was on a Lake Michigan
dune. All the things I like to paint were on full glory display that day - sky,
dunes, clouds and water. The 30x40 canvas was ready, dreamy Debussy music and
sweet memory of a perfect summer day. The paint and the music blended to create
a strong work. I finished and walked away feeling great. A few hours passed, so
I took a sneak peek at the new masterpiece. I was surprised and deflated. So I
put the canvas away for another day trying not to beat myself up too much.
If you have read this far you know painting is an adventure,
a touch of this, a touch of that and each work of art becomes a kind of magic
that artists try so passionately to convey to viewers.
If you are in Michigan this summer and seek a lovely place
to view art, include a visit to Shiawassee Art Center in Owosso in your plans. Happy
viewing. Joel
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Tranquility 20x24 |
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Autumn Embrace 16x20 |
Never be without your little pad. - Leonardo DaVinci
(Including samples of Joel Ellis art)
Ok, I confess I do keep a journal. Well the thing keeps me on track in those moments of low inspiration. The goal is to record the activities of this very unusual journey through the creative process and yes, it is a big plus helping with the business part too.
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Ephemeral Moment, sold at Shiawassee Art Center |
Everyone who
uses a journal develops their own way and purpose. Is it a record of the works
produced or is it a commentary of the Times influencing the work? Working under
the restrictions of a world-wide pandemic, for instance, may call for a lot of
comments. For me the art journal is a
piece of evolution regarding my art, consequently, it has also been an ongoing
process with many comments like, “darn, why didn’t I think of that sooner?’’
Each artist will develop their own style based on purpose. Here’s something to
think about - along the way the journal itself may also be collected as art.Autumn Dune Grasses, expressionism Earth Cycle, an exercise in abstract
Here are some points for a record keeping
journal that also turns into a business record.
The last few months I have been recording world events affecting me that give future viewers a look into the environment the paintings were created. These journals become a time capsule for future generations.
Thank you for visiting the Joel Ellis Art blog. Best wishes in the coming season to you and those you love.
Joel
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Helene's Cosmos, water color on paper |
I was asked recently what goes through my mind as I work on a
painting. If the working environment is conducive to the task, the elements of working a painting seamlessly usually come
together without great effort. For me, there is always a tug of war with the
natural flow of where the painting seems to magically appear or when it seems
to fight back. The fight back experience makes the finished product sweeter. We
artists like to call this the learning curve. For me the learning is ongoing
and is intensified with the unusual struggle that sometimes makes the successfully
completed painting even more rewarding.
But what is going through my mind? Why do I put myself through this arduous
experience … why was I not a potter or maybe a blacksmith?
The important elements that I want to be present at each creation are the basic factors that make a painting “work”. These are the times to step back, sip some tea and review the basic elements of a good painting. Are they here in this painting, I ask, and do they work together to tell the story that was intended? One last filter that helps me review the nearly finished painting include a check of three painting elements: simplify, intensify, and unify.
Recent works still challenge that process. I love dunes and
paint a lot of them. Once in awhile a painting of these fine physical gifts of
nature rises above (pun intended) other painterly expressions. Strait
Ahead, was finished a few days ago, completed in two long sessions. It
began simply – a horizon meeting a summer sky. But then the work began to intensify
its surroundings. Using the pallet knife, brushes, fingers, I felt exuberant
with the motions. Finally I knew I had to unify the elements before me – clouds,
grasses, sand path. Three simple measures led me to a comforting satisfaction.
As Joseph Campbell said,
Following your ‘bliss’, As much as
you can, do what you love. (The Art of Fine Art).
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Wash Away 16x20 oil on linen |
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Pine Bay 20x16 oil on linen |
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Forest Dreams 30x24 acrylic on linen |
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Flowers on the Wall 12x16 acrylic on linen |